JS Bach

Allamanda in D minor by JS Bach – Violin Solo

Transfixed at hearing Bach’s solo violin partitas and sonatas, a student asked me which one to learn first. At the time she was playing Bach’s Concerto in A minor from volume 7, the first big concert piece in the Suzuki violin repertoire.

Hilary Hahn plays Bach

From the point of view of ease of playing, two of the more obvious choices were the Allemanda and the Giga from Partita No. 2 in D minor, the same suite that contains the sublime Chacconne. My personal preference perhaps would have been the dancing delightful Giga. She chose the Allemanda in D minor, that lively earnest first dance in the suite, with its resonant opening D and free flowing melodies.

The Allemanda in D minor (or Allemande) provides students with a happy doorway in to Bach’s immortal solo violin works. It has all the richness and power of his unstopping musical logic and his seamless modulations and harmonic sense, richly compressed and concentrated into a single page of surprising beauty. Technically, the Allemanda is accessible by students at Suzuki volume 6 or so, who can then look forward to years of discovering the exquisite musical treasures within Bach’s solo violin works.

Where to start and how to learn it.

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